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critics (l-r) Jordan Canahai, Adam Lubitow, Matt Marshall, David Palmer, and Matthew Passantino with a screen showing our Best Film winner PAST LIVES at the Dryden Theatre during our first in-person awards announcement on January 6, 2024; photo by Matt DeTurck.</image:caption></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2024/01/heron_img_7.jpg</image:loc><image:title>heron_img_7</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2024/01/pastlives_still236_r.jpg</image:loc><image:title>PastLives_Still236_R</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2024/01/01-2023-intro-topten.jpg</image:loc><image:title>01-2023-intro-topten</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/12/17-2023-film-1.png</image:loc><image:title>17-2023-film-1</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/12/gf-14550_msg_crop.jpg</image:loc><image:title>gf-14550_msg_crop</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/12/killers_of_the_flower_moon_photo_0108.jpg</image:loc><image:title>Killers_Of_The_Flower_Moon_Photo_0108</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/12/sv2_uct0287_2000x838_thumbnail.jpg</image:loc><image:title>sv2_uct0287_2000x838_thumbnail</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/12/thezoneofinterest_textless_prores422hq_24p_1920x1080_178_rec709_51-20_20230929.00_46_51_20.still001.jpg</image:loc><image:title>thezoneofinterest_textless_prores422hq_24p_1920x1080_178_rec709_51-20_20230929.00_46_51_20.still001</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/12/awards2023.png</image:loc><image:title>awards2023</image:title></image:image><lastmod>2026-02-09T16:01:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/awards-2024/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2025/01/events2025-challengers.jpg</image:loc><image:title>events2025-challengers</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2025/01/events2025-bestfilm.jpg</image:loc><image:title>events2025-bestfilm</image:title><image:caption>GWNYFCA critics (l-r) Jordan Canahai, Adam Lubitow, David Palmer, Danielle Del Plato, and Matthew Passantino with curator of film exhibitions Jared Case in front of a screen showing our Best Film winner CHALLENGERS at the Dryden Theatre during our in-person awards announcement on January 4, 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FORCE (L-R): MELISSA MCCARTHY as LYDIA, OCTAVIA SPENCER as EMILY. Cr. NETFLIX © 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T/F logo light illuminates the Jubilee at Missouri Theatre on Thursday, March 1, 2018. 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Trial of the Chicago 7</image:title><image:caption>THE TRIAL OF THE CHICAGO 7 (Featured) SACHA BARON COHEN as Abbie Hoffman in THE TRIAL OF THE CHICAGO 7. Cr. NIKO TAVERNISE/NETFLIX © 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(L-R) Juancho Hernangomez as Bo Cruz and Adam Sandler as Stanley Sugerman in Hustle. Cr. 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Future</image:title><image:caption>_DSF8738DAY_07_scenes_22_1.TIF</image:caption></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/06/crimesofthefuture2022-poster.jpg</image:loc><image:title>crimesofthefuture2022-poster</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/06/chacharealsmooth2022-still.jpg</image:loc><image:title>chacharealsmooth2022-still</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/06/chacharealsmooth2022-poster.jpg</image:loc><image:title>chacharealsmooth2022-poster</image:title></image:image><lastmod>2025-02-09T01:30:28+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/bones-and-all/</loc><lastmod>2025-02-09T01:30:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/glass-onion-a-knives-out-mystery/</loc><lastmod>2025-02-09T01:29:34+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/triangle-of-sadness/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/12/triangleofsadness2022-still.jpg</image:loc><image:title>triangleofsadness2022-still</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/12/triangleofsadness2022-poster.jpg</image:loc><image:title>triangleofsadness2022-poster</image:title></image:image><lastmod>2025-02-09T01:29:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/the-good-nurse/</loc><lastmod>2025-02-09T01:28:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/causeway/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/12/causeway2022-still.jpg</image:loc><image:title>causeway2022-still</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/12/causeway2022-poster.jpg</image:loc><image:title>causeway2022-poster</image:title></image:image><lastmod>2025-02-09T01:28:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/pearl/</loc><lastmod>2025-02-09T01:27:36+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/till/</loc><lastmod>2025-02-09T01:27:16+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/the-whale/</loc><lastmod>2025-02-09T01:26:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/elvis/</loc><lastmod>2025-02-09T01:26:36+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/aftersun/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/12/aftersun2022-still.jpg</image:loc><image:title>aftersun2022-still</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/12/aftersun2022-poster.jpg</image:loc><image:title>aftersun2022-poster</image:title></image:image><lastmod>2025-02-09T01:26:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/moonage-daydream/</loc><lastmod>2025-02-09T01:25:06+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/good-night-oppy/</loc><lastmod>2025-02-09T01:24:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/fire-of-love/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/12/fireoflove2022-still.jpg</image:loc><image:title>fireoflove2022-still</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/12/fireoflove2022-poster.jpg</image:loc><image:title>fireoflove2022-poster</image:title></image:image><lastmod>2025-02-09T01:23:49+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/turning-red/</loc><lastmod>2025-02-09T01:23:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/puss-in-boots-the-last-wish/</loc><lastmod>2025-02-09T01:22:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/marcel-the-shell-with-shoes-on/</loc><lastmod>2025-02-09T01:22:34+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/guillermo-del-toros-pinocchio/</loc><lastmod>2025-02-09T01:22:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/rrr-rise-roar-revolt/</loc><lastmod>2025-02-09T01:21:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/happening/</loc><lastmod>2025-02-0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All Rights Reserved.</image:caption></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/11/womentalking2022-poster.jpg</image:loc><image:title>womentalking2022-poster</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/11/bonesandall2022-still.jpg</image:loc><image:title>Bones And All (2022)</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/11/bonesandall2022-poster.jpg</image:loc><image:title>bonesandall2022-poster</image:title></image:image><lastmod>2025-02-09T01:20:13+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/top-gun-maverick/</loc><lastmod>2025-02-09T01:19:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/tar/</loc><lastmod>2025-02-09T01:19:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/nope/</loc><lastmod>2025-02-09T01:18:32+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/the-fabelmans/</loc><lastmod>2025-02-09T01:18:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/everything-everywhere-all-at-once/</loc><lastmod>2025-02-09T01:17:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/decision-to-leave/</loc><lastmod>2025-02-09T01:17:34+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/the-batman/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/03/batman2022-still.jpg</image:loc><image:title>batman2022-still</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2022/03/batman2022-poster.jpg</image:loc><image:title>batman2022-poster</image:title></image:image><lastmod>2025-02-09T01:17:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/the-banshees-of-inisherin/</loc><lastmod>2025-02-09T01:16:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/babylon/</loc><lastmod>2025-02-09T01:16:06+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/a-thousand-and-one/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/11/thousandandone2023-still.jpg</image:loc><image:title>A THOUSAND AND ONE (2023)</image:title><image:caption>(L to R) Teyana Taylor stars as "Ines" and Aaron Kingsley Adetola stars as "Terry" in writer/director A.V. 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Credit: Courtesy of Focus Features</image:caption></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/11/thousandandone2023-poster.jpg</image:loc><image:title>thousandandone2023-poster</image:title></image:image><lastmod>2025-02-09T01:14:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/all-dirt-roads-taste-of-salt/</loc><lastmod>2025-02-09T01:13:09+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/how-to-blow-up-a-pipeline/</loc><lastmod>2025-02-09T01:12:23+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/priscilla/</loc><lastmod>2025-02-09T01:11:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/the-killer/</loc><lastmod>2025-02-09T01:11:25+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/the-iron-claw/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/12/ironclaw2023-still.jpg</image:loc><image:title>ironclaw2023-still</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/12/ironclaw2023-poster.jpg</image:loc><image:title>ironclaw2023-poster</image:title></image:image><lastmod>2025-02-09T01:10:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/are-you-there-god-its-me-margaret/</loc><lastmod>2025-02-09T01:10:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/eileen/</loc><lastmod>2025-02-09T01:09:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/american-fiction/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/12/americanfiction2023-poster.jpg</image:loc><image:title>americanfiction2023-poster2</image:title></image:image><lastmod>2025-02-09T01:09:20+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/maestro/</loc><lastmod>2025-02-09T01:08:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/taylor-swift-the-eras-tour/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/10/taylorswifttheerastour2023-still.jpg</image:loc><image:title>taylorswifttheerastour2023-still</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/10/taylorswifttheerastour2023-poster.jpg</image:loc><image:title>taylorswifttheerastour2023-poster</image:title></image:image><lastmod>2025-02-09T01:08:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/still-a-michael-j-fox-movie/</loc><lastmod>2025-02-09T01:08:06+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/menus-plaisirs-les-troisgros/</loc><lastmod>2025-02-09T01:07:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/kokomo-city/</loc><lastmod>2025-02-09T01:07:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/four-daughters/</loc><lastmod>2025-02-09T01:06:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/teenage-mutant-ninja-turtles-mutant-mayhem/</loc><lastmod>2025-02-09T01:06:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/nimona/</loc><lastmod>2025-02-09T01:06:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/elemental/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/06/elemental2023-still.jpg</image:loc><image:title>ELEMENTAL</image:title><image:caption>LIGHTHEARTED FUN -- In Disney and Pixar’s “Elemental,” go-with-the-flow guy Wade (Mamoudou Athie) ushers fiery young woman Ember (voice of Leah Lewis) out of her comfort zone to experience Elemental City like never before. 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All Rights Reserved.</image:caption></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/06/elemental2023-poster.jpg</image:loc><image:title>elemental2023-poster</image:title></image:image><lastmod>2025-02-09T01:05:51+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/the-zone-of-interest/</loc><lastmod>2025-02-09T01:05:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/perfect-days/</loc><lastmod>2025-02-09T01:04:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/godzilla-minus-one/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/12/godzillaminusone2023-still.jpg</image:loc><image:title>godzillaminusone2023-still</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/12/godzillaminusone2023-poster.jpg</image:loc><image:title>godzillaminusone2023-poster</image:title></image:image><lastmod>2025-02-09T01:04:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/the-boy-and-the-heron/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/11/boyandtheheron2023-still.jpg</image:loc><image:title>boyandtheheron2023-still</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/11/boyandtheheron2023-poster.jpg</image:loc><image:title>boyandtheheron2023-poster</image:title></image:image><lastmod>2025-02-09T01:03:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/anatomy-of-a-fall/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/11/anatomyofafall2023-still.jpg</image:loc><image:title>anatomyofafall2023-still</image:title></image:image><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/11/anatomyofafall2023-poster.jpg</image:loc><image:title>anatomyofafall2023-poster</image:title></image:image><lastmod>2025-02-09T01:03:34+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/spider-man-across-the-universe/</loc><lastmod>2025-02-09T01:03:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/poor-things/</loc><lastmod>2025-02-09T01:02:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/past-lives/</loc><lastmod>2025-02-09T01:02:21+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/oppenheimer/</loc><lastmod>2025-02-09T01:02:02+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://gwnyfilmcritics.com/portfolio/may-december/</loc><image:image><image:loc>https://gwnyfilmcritics.com/wp-content/uploads/2023/11/maydecember2023-still2.jpg</image:loc><image:title>maydecember2023-still2</image:title><image:caption>May December, L to R:  Natalie Portman as Elizabeth Berry with Julianne Moore as Gracie Atherton-Yoo. 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